03.27.22

Listening to the Dead Kennedys series from No Dogs In Space rekindled an interest and nostalgia in zines for me; this was different from my curiosity around the sub culture of graffiti zines, lead by the likes of Carnage, and the overwhelming amount of zines that Printed Matter promotes and curates. My intrigue was rooted in the music editorial and art direction of these early publications, having created an aesthetic of their time period that has become a framework for what followed, and, possibly, an original version of what current tech product circles would call user generated content.